Adobe photoshop cc 2015 book free download. Adobe Photoshop CC 2015 in pdf

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

All rights reserved. If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated.

Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement.

The content of this guide adobe photoshop cc 2015 book free download furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide.

Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any beetel m71 user manual download pdf to company names in sample files are for demonstration purposes only and are not intended to refer to any actual organization.

Microsoft, and Windows are either registered trademarks or trademarks of Microsoft Corporation in the U. All other trademarks are the property of their respective owners. Government End Users. Consistent with 48 C. Government end users a only as Commercial Items and b with only those rights as are адрес страницы to all other end users pursuant to the terms and conditions herein.

Unpublished-rights reserved under the copyright laws of the United States. For U. Government End Users, Adobe agrees to comply with all applicable equal opportunity laws including, if adobe photoshop cc 2015 book free download, the provisions of Executive Orderas amended, Section по этой ссылке the Vietnam Era Veterans. The affirmative action clause and regulations contained in the preceding sentence shall be incorporated by reference.

For the latest on Adobe Press books, go to www. To report errors, please посетить страницу a note to errata peachpit.

For information on getting permission for reprints and excerpts, contact permissions peachpit. Each download link gives you the files for a single lesson. You also have the option of downloading the entire set adobe photoshop cc 2015 book free download lesson files as a single very large file.

To access these files, follow the steps below: посмотреть еще. On a Mac or PC, go to www. If you do not have a Peachpit. Click the lesson file links to download them читать your computer. If you are unable to locate the files for this title by following the steps above, please email ask peachpit. Our customer service representatives will assist you as soon as possible.

Modern Mac and Windows systems читать далее set up to open Zip archives by simply double-clicking. Then enter the new name for your folder. Type the new name and drag the folder to the location you want to use.

Drag the unzipped Lessons folders Lesson01, Lesson02, etc. When you begin each lesson, navigate to the folder with that lesson number to access all the assets you need to complete the lesson. The lesson files are provided solely for your personal use. You are not authorized to use these files commercially, or to publish or distribute them in any form without written permission from Adobe Systems. Photoshop CC gives you the digital-editing tools you need to transform images more easily than ever before.

The lessons are designed to let you learn at your own pace. You can follow the book from start to finish, or do only the lessons that match your interests and needs. In addition, these lessons introduce you to Adobe Device Preview to test mobile designs on actual hardware, using new workflows to generate optimized web and mobile assets, easier ways to find the right font for your project, how to upload your work to share on your Behance portfolio, and more.

This edition is also chock-full of extra information on Photoshop features and how to work effectively with this robust application. Prerequisites Before you begin to use Adobe Photoshop CC Classroom in a Book releaseyou should have a working knowledge of your computer and its operating system. Make sure that you know how to adobe photoshop cc 2015 book free download the mouse and standard menus and commands, and also how to open, save, and close files.

You must license the Adobe Photoshop CC software separately. For system requirements and complete instructions on installing the software, visit www. Adobe creative suite 3 master collection system requirements free download of the lessons in this book use Adobe Bridge. Photoshop and Bridge use separate installers. You must install these applications from Adobe Creative Cloud creative.

Follow the onscreen instructions. Starting Adobe Photoshop You start Photoshop just as you do most software applications. Accessing the Classroom in a Book files In order to work through the projects in this book, you will need to download the lesson files from peachpit.

You can download ссылка на подробности files for individual lessons, or download them all in a single file. If you purchased an eBook from peachpit. If you purchased an eBook from x 9.1.8 free download different vendor or a print book, use the unique code in this book to gain access to the lesson files. To access the Classroom in a Book files, do the following: 1. On a desktop or laptop computer, go to www.

Just log in to access your files anytime as many times as you need; the code needs to be redeemed only once. Create a new folder on your hard disk, and name it Lessons. Then, adobe photoshop cc 2015 book free download the lesson. Note As you complete each lesson, you will preserve the start files. In case you overwrite them, you can restore the original files by downloading the corresponding lesson files from your Account page at peachpit.

Web Edition This book comes with a free Web Edition больше на странице provides many benefits. To accommodate the changes, sections of the online book will be updated or new sections will be added. The Web Edition contains the complete text of the book augmented with hours of video and interactive quizzes. Note Registering to access the Web Edition adobe photoshop cc 2015 book free download not automatically provide access to your lesson files, and vice versa.

You must follow the instructions for each to claim the full benefits of your purchase. If you purchased your book through any other channel, adobe photoshop cc 2015 book free download must be registered: 1.

Go to www. Sign in or create a new account. Enter ISBN: Answer the questions as proof of purchase. Click the Launch link to access the product. Restoring default preferences The preferences file stores information about panel and command settings. Each adobe photoshop cc 2015 book free download you quit Adobe Photoshop, the positions of the panels and certain command settings are recorded in the preferences file.

Any selections you make in the Preferences dialog box are also saved in the preferences file. To ensure that what you see onscreen matches the images and instructions in this book, you should restore the default preferences as /21611.txt begin each lesson.

If you prefer to preserve your preferences, adobe photoshop cc 2015 book free download aware that the tools, panels, and other settings in Photoshop CC may not match those described in this book.

If you have customized your color settings, use the following procedure to save them as a preset before you start work in this book. When you want to restore your color settings, you can simply select the preset you created. To save your current color settings 1. Start Adobe Photoshop. The Save dialog box opens. The default location is the Settings folder, which is where you want to save your file. The default file extension is. Then click Save. In the Color Settings Ссылка dialog box, type any descriptive text that will help you identify the color settings later, such as the date, adobe photoshop cc 2015 book free download settings, or your workgroup.

To restore your color settings 1. From the Settings menu in the Color Settings адрес box, choose the settings file you noted or saved in the previous procedure, and click OK. Additional resources Adobe Photoshop CC Classroom in ссылка на страницу Book release is not meant to replace documentation that comes with the program or to be a comprehensive reference for every feature.

Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, refer to these resources: Adobe Photoshop Help and Support: helpx. Adobe Forums: forums.

Adobe Photoshop CC product home page: adobe. Resources for educators: adobe. Find solutions for education at all levels, including free curricula that use an integrated approach to teaching Adobe software and can be used to prepare for the Adobe Certified Associate exams. A directory of AATCs is available at training. This lesson will /5022.txt about an hour to complete.

If you need to restore the start files, download them from your Account page.

 
http://gpstore2.sitestagingarea.com/scct
http://helloliefje.com/kwst
https://funktrunk.ph/vsw
https://batdongsanthqthainguyen.com.vn/ksa7
https://cjnz1405.odns.fr/m96n
http://mainlymusic.org.nz/ulaw
http://myfho.in/ray
https://borovan.bg/dq07
http://poczta.fmyahoo.ca/dao
http://youscreenwriter.com/1ri
http://neogenesis.com.au/poi
https://cloud9infra.in/1uxx
http://signaturemarvel.org/pg7a
http://ptbprnbp25.co.id/o00a
 

 

[PDF] Adobe Photoshop CC free tutorial for Beginners

 

Ratio is the default value. A crop grid appears. Click Straighten in the options bar. The pointer changes to the Straighten tool. Click at the top corner of the photo, press the mouse button as you drag a straight line across the top edge of the photo, and then release. Photoshop straightens the image, so that the line you drew is parallel with the top of the image area. You drew a line across the top of the photo, but any line that defines either the vertical or horizontal axis of the image will work.

Drag the corners of the crop grid inward to the corners of the photo itself to crop out the white border. If you need to adjust the position of the photo, click and drag it within the crop grid. Press Enter or Return to accept the crop. The image is now cropped, and the cropped image fills the image window, straightened, sized, and positioned according to your specifications. To see the image dimensions, choose Document Dimensions from the pop-up menu at the bottom of the application window.

Click Curves in the Adjustments panel to add a Curves adjustment layer. Select the White Point tool on the left side of the Properties panel. Specifying a white point changes all the colors in the image. The white point is the color that Photoshop defines as pure white, and it adjusts all other colors accordingly. To set an accurate white point, select a white area in the image.

The color tone of the image changes dramatically. In some images, adjusting the white point is enough to remove a color cast and correct the tone of the image. Here, selecting a white point is a good start.

Click Levels in the Adjustments panel to add a Levels adjustment layer. The Levels histogram in the Properties panel displays the range of dark and light values in the image.

Right now, you just need to know that the left triangle represents the black point the point Photoshop defines as the darkest in the image , the right triangle represents the white point the lightest in the image , and the middle triangle represents the midtones. Drag the left triangle blacks under the histogram to the right, where the blacks are more pronounced.

Our value was Drag the middle triangle a little to the right to adjust the midtones. Our value was. Flattening an image merges its layers.

After you flatten an image, you can no longer edit layers individually, but the file is smaller, and you can easily make changes to the entire image at once. He teaches workshops internationally as well as online on the care and identification of photographs. Find out more at gawainweaver. The tools in Photoshop make restoration of old or damaged photographs seem like magic, giving virtually anyone the power to scan, retouch, print, and frame their photo collections.

However, when dealing with works by famous artists, museums, galleries, and collectors need to preserve original objects to the greatest degree possible despite deterioration or accidental damage.

Professional art conservators are called upon to clean dust and soiling from print surfaces, remove discoloration and staining, repair tears, stabilize prints to prevent future damage, and even paint in missing areas of a work.

Carleton E. This print was removed from its mount to remove the stains and then remounted. An art conservator might wash a photograph to remove the discolored components of the paper, or even use a mild bleaching process known as light-bleaching to oxidize and remove the colored components of a stain or overall discoloration.

In Photoshop, you can use a Curves adjustment layer to remove the color cast from an image. Likewise, you can use the Spot Healing Brush in Photoshop to spot out specks of dust or dirt on a scanned image.

A conservator might use Japanese papers and wheat-starch paste to carefully repair and rebuild torn paper before finalizing the repair with. In Photoshop, you can remove a crease or repair a tear in a scanned image with a few clicks of the Clone tool.

After digitization the original print can be safely stored away, while the digital version can be copied or printed for many family members. Often, we first clean or unfold family photographs to safely reveal as much of the original image as possible, and then we repair the remaining discoloration, stains, and tears on the computer after digitization.

Using the Spot Healing Brush tool The next task is to remove the crease in the photo. Note The Healing Brush tool works similarly to the Spot Healing Brush tool, except that it requires you to sample source pixels before retouching an area. The Spot Healing Brush tool quickly removes blemishes and other imperfections. It samples pixels around the retouched area and matches the texture, lighting, transparency, and shading of the sampled pixels to the pixels being healed. Zoom in to see the crease clearly.

In the Tools panel, select the Spot Healing Brush tool. Make sure Content-Aware is selected in the options bar. In the image window, drag the Spot Healing Brush down from the top of the crease. You can probably repair the entire crease with four to six neat downward strokes. Zoom in to see the white hair in the upper right area of the image. Then select the Spot Healing Brush again, and paint over the hair. Zoom out, if necessary, to see the full sky. Then click the Spot Healing Brush wherever there are dark areas you want to heal.

Save your work so far. Applying a content-aware patch Use the Patch tool to remove unwanted elements from an image. In ContentAware mode, the Patch tool creates nearly seamless blending with the nearby content. Type 4 into the Structure slider. The Structure menu determines how closely the patch reflects the existing image patterns. You can choose from 1 to 7, with 1 allowing the loosest adherence to the source structure and 7 requiring the strictest.

Drag the Patch tool around the boy and his shadow, as closely as possible. You may want to zoom in to see him more clearly. Photoshop displays a preview of the content that will replace the boy. Release the mouse button when the patch is positioned where you want it.

The selection changes to match the area around it. The boy is gone, and where he stood is a section of the bridge wall and of a building.

The effect was pretty impressive, but not quite perfect. Repairing areas with the Clone Stamp tool The Clone Stamp tool uses pixels from one area of an image to replace the pixels in another part of the image. Using this tool, you can not only remove unwanted objects from your images, but you can also fill in missing areas in photographs you scan from damaged originals. Make sure that the Aligned option is selected.

Move the Clone Stamp tool to an area where the top of the bridge wall is smooth. When you press Alt or Option, the pointer appears as target cross-hairs. Drag the Clone Stamp tool across the top of the bridge wall in the patched area to even it out, and then release the mouse button. Each time you click the Clone Stamp tool, it begins again with a new source point, in the same relationship to the tool as the first stroke you made.

That is, if you begin painting further right, it samples from stone that is further right than the original source point. Deselect Aligned if you want to start from the same source point each time.

Select a source point where the bottom of the bridge wall is even, and then drag the Clone Stamp tool across the bottom of the wall where you patched it.

Select a smaller brush size, and deselect Aligned. Then select a source point over the rightmost windows in the lowest row on the building you patched.

Click across to create accurate windows there. Repeat step 6 to make any adjustments you want to apply to the lowest area of the building and the wall that runs in front of it. If you like, you can use a smaller brush size to touch up the stones in the patched portion of the wall.

Sharpening the image The last task you might want to do when retouching a photo is to sharpen the image. There are several ways to sharpen an image in Photoshop, but the Smart Sharpen filter gives you the most control.

The colored dots you see are artifacts of the scanning process. The Threshold value determines how dissimilar the pixels should be before they are eliminated. The Radius value determines the size of the area searched for dissimilar pixels. The default values are great for tiny dots of color like the ones in this image. Now that the artifacts are gone, you can sharpen the image. In the Smart Sharpen dialog box, make sure that Preview is selected, so you can see the effect of settings you adjust in the image window.

You can drag inside the preview window in the dialog box to see different parts of the image, or use the plus and minus buttons below the thumbnail to zoom in and out. Make sure Lens Blur is chosen in the Remove menu. Lens Blur provides finer sharpening of detail and reduced sharpening halos.

Gaussian Blur increases contrast along the edges in an image. Motion Blur reduces the effects of blur that resulted from the camera or the subject moving when the photo was taken. Drag the Radius slider to about 1. The Radius value determines the number of pixels surrounding the edge pixels that affect the sharpening. The higher the resolution, the higher the Radius setting should usually be. Your image is ready to share or print!

Extra credit. Converting a color image to black and white You can get great results converting a color image to black and white with or without a tint in Photoshop.

Click Open. Adjust the color sliders to change the saturation of color channels. You can also experiment with options from the preset menu, such as Darker or Infrared. Or, select the tool in the upper left corner of the Adjustments panel, position it over an area you want to adjust, and drag horizontally to lighten or darken that color wherever it appears in the image. We darkened the bike itself and made the background areas lighter. If you want to colorize the entire photo with a single hue, select Tint.

What does resolution mean? What does the Crop tool do? How can you adjust the tone and color of an image in Photoshop? What tools can you use to remove blemishes in an image? How can you remove digital artifacts such as colored pixels from an image? The term resolution refers to the number of pixels that describe an image and establish its detail.

Image resolution and monitor resolution are measured in pixels per inch ppi. Printer, or output, resolution is measured in ink dots per inch dpi. You can use the Crop tool to trim, scale, or straighten an image. To adjust the tone and color of an image in Photoshop, first use the White Point tool in a Curves adjustment layer. Then refine the tone using a Levels adjustment layer. The Clone Stamp tool copies the source area exactly; the Healing Brush and Spot Healing Brush tools blend the area with the surrounding pixels.

In Content-Aware mode, the Patch tool replaces a selection with content that matches the surrounding area. Learning how to select areas of an image is of primary importance—you must first select what you want to affect.

About selecting and selection tools Making changes to an area within an image in Photoshop is a two-step process. You first use one of the selection tools to select the part of an image you want to change. Then you use another tool, filter, or other feature to make changes, such as moving the selected pixels to another location or applying a filter to the selected area.

You can make selections based on size, shape, and color. When a selection is active, changes you make apply only to the selected area; other areas are unaffected. There are four primary types of selections: Geometric selections The Rectangular Marquee tool selects a rectangular area in an image. The Elliptical Marquee tool , which is hidden behind the Rectangular Marquee tool, selects elliptical areas.

The Single Row Marquee tool and Single Column Marquee tool select either a 1-pixel-high row or a 1-pixel-wide column, respectively. Freehand selections The Lasso tool traces a freehand selection around an area.

The Polygonal Lasso tool sets anchor points in straight-line segments around an area. The Magnetic Lasso tool works something like a combination of the other two lasso tools, and gives the best results when good contrast exists between the area you want to select and its surroundings. Color-based selections The Magic Wand tool selects parts of an image based on the similarity in pixel color. It is useful for selecting odd-shaped areas that share a specific range of colors. In the Favorites panel, click the Lessons folder.

Then double-click the Lesson03 folder in the Content panel to see its contents. Study the 03End. Move the thumbnail slider to the right if you want to see the image in more detail. The project is a shadowbox that includes a piece of coral, a sand dollar, a mussel, a nautilus, and a plate of small shells. The challenge in this lesson is to arrange these elements, which were scanned together on the single page you see in the 03Start.

Double-click the 03Start. Using the Quick Selection tool The Quick Selection tool provides one of the easiest ways to make a selection.

You simply paint an area of an image, and the tool automatically finds the edges. You can add or subtract areas of the selection until you have exactly the area you want. The image of the sand dollar in the 03Working. Select the Zoom tool in the Tools panel, and then zoom in so that you can see the sand dollar well.

Select the Quick Selection tool in the Tools panel. Select Auto-Enhance in the options bar. When Auto-Enhance is selected, the Quick Selection tool creates better quality selections, with edges that are truer to the object.

The selection process is a little slower than using the Quick Selection tool without Auto-Enhance, but the results are superior.

Click on an off-white area near the outside edge of the sand dollar. The Quick Selection tool finds the full edge automatically, selecting the entire sand dollar. Leave the selection active so that you can use it in the next exercise. The rest of the image is not affected by those changes. To move the selected area to another part of the composition, you use the Move tool. This image has only one layer, so the pixels you move will replace the pixels beneath them.

If the sand dollar is not still selected, repeat the previous exercise to select it. Zoom out so you can see both the shadowbox and the sand dollar. Select the Move tool. Notice that the sand dollar remains selected. Unless a selection tool is active, clicking elsewhere in the image will not deselect the active area.

Tool tips from the Photoshop evangelist. Julieanne Kost is an official Adobe Photoshop evangelist. The layers that are under the pointer appear in the context menu. Manipulating selections You can move selections, reposition them as you create them, and even duplicate them. One of the most useful things you may find in this section is the introduction of keyboard shortcuts that can save you time and arm motions. Repositioning a selection marquee while creating it Selecting ovals and circles can be tricky.

As you perform this exercise, be very careful to follow the directions about keeping the mouse button or specific keys pressed. If you accidentally release the mouse button at the wrong time, simply start the exercise again from step 1. Select the Elliptical Marquee tool , hidden under the Rectangular Marquee tool. Move the pointer over the plate of shells, and drag diagonally across the oval plate to create a selection, but do not release the mouse button. If you accidentally release the mouse button, draw the selection again.

In most cases— including this one—the new selection replaces the previous one. Still holding down the mouse button, press the spacebar, and continue to drag the selection. Position it so that it more closely aligns with the plate. Carefully release the spacebar but not the mouse button and continue to drag, trying to make the size and shape of the selection match the oval plate of shells as closely as possible. If necessary, hold down the spacebar again and drag to move the selection marquee into position around the plate of shells.

When the selection border is positioned appropriately, release the mouse button. Leave the Elliptical Marquee tool and the selection active for the next exercise. If the plate of shells is not still selected, repeat the previous exercise to select it. The pointer icon now includes a pair of scissors cut from its current location.

Note You can release the Ctrl or Command key after you start dragging, and the Move tool remains active. Photoshop reverts to the previously selected tool when you deselect, whether you click outside the selection or use the Deselect command.

Moving a selection with the arrow keys You can make minor adjustments to the position of selected pixels by using the arrow keys. You can nudge the selection in increments of either one pixel or ten pixels.

When a selection tool is active in the Tools panel, the arrow keys nudge the selection border, but not the contents. When the Move tool is active, the arrow keys move both the selection border and its contents.

Before you begin, make sure that the plate of shells is still selected in the image window. Press the Up Arrow key on your keyboard a few times to move the oval upward. Notice that each time you press the arrow key, the plate of shells moves one pixel.

Experiment by pressing the other arrow keys to see how they affect the selection. Hold down the Shift key as you press an arrow key. When you hold down the Shift key, the selection moves ten pixels every time you press an arrow key. Sometimes the border around a selected area can distract you as you make adjustments. Either command hides the selection border around the plate of shells. Using the Magic Wand tool The Magic Wand tool selects all the pixels of a particular color or color range.

As with many of the selection tools, after you make the initial selection, you can add or subtract areas of the selection. The Tolerance option sets the sensitivity of the Magic Wand tool. This value limits or extends the range of pixel similarity. The default tolerance value of 32 selects the color you click plus 32 lighter and 32 darker tones of that color. You may need to adjust the tolerance level up or down depending on the color ranges and variations in the image.

If a multicolored area that you want to select is set against a background of a different color, it can be much easier to select the background than the area itself. Select the Rectangular Marquee tool , hidden behind the Elliptical Marquee tool. Drag a selection around the piece of coral. Make sure that your selection is large enough so that a margin of white appears between the coral and the edges of the marquee.

At this point, the coral and the white background area are selected. Select the Magic Wand tool , hidden under the Quick Selection tool. In the options bar, confirm that the Tolerance value is This value determines the range of colors the wand selects. Click the Subtract From Selection button in the options bar. A minus sign appears next to the wand in the pointer icon. Anything you select now will be subtracted from the initial selection.

Click in the white background area within the selection marquee. The Magic Wand tool selects the entire background, subtracting it from the selection. Now all the white pixels are deselected, leaving the coral perfectly selected. Softening the edges of a selection To smooth the hard edges of a selection, you can apply anti-aliasing or feathering, or use the Refine Edge option.

Anti-aliasing smooths the jagged edges of a selection by softening the color transition between edge pixels and background pixels. Since only the edge pixels change, no detail is lost. Anti-aliasing is useful when cutting, copying, and pasting selections to create composite images. Select the tool to display its options in the options bar. To apply anti-aliasing, you must select the option before making the selection. Once a selection is made, you cannot add antialiasing to it.

Feathering blurs edges by building a transition boundary between the selection and its surrounding pixels. This blurring can cause some loss of detail at the edge of the selection. You can define feathering for the marquee and lasso tools as you use them, or you can add feathering to an existing selection. Feathering effects become apparent when you move, cut, or copy the selection. You can use the Refine Edge option to smooth the outline, feather it, or contract or expand it.

Enter a Feather value in the options bar. This value defines the width of the feathered edge and can range from 1 to pixels. Enter a value for the Feather Radius, and click OK. Selecting with the lasso tools As we mentioned earlier, Photoshop includes three lasso tools: the Lasso tool, the Polygonal Lasso tool, and the Magnetic Lasso tool. You can use the Lasso tool to make selections that require both freehand and straight lines, using keyboard shortcuts to move back and forth between the Lasso tool and the Polygonal Lasso tool.

Make sure you can see the entire mussel in the window. Starting at the lower left section of the mussel, drag. Do not release the mouse button. Press the Alt Windows or Option Mac OS key, and then release the mouse button so that the lasso pointer changes to the polygonal lasso shape. Do not release the Alt or Option key.

Begin clicking along the end of the mussel to place anchor points, following the contours of the mussel. Be sure to hold down the Alt or Option key throughout this process. The selection border automatically stretches like a rubber band between anchor points. When you reach the tip of the mussel, hold down the mouse button as you release the Alt or Option key. The pointer again appears as the lasso icon. Carefully drag around the tip of the mussel, holding down the mouse button.

When you finish tracing the tip and reach the lower side of the mussel, first press Alt or Option again, and then release the mouse button. Click along the lower side of the mussel with the Polygonal Lasso tool as you did on the top.

Continue to trace the mussel until you arrive back at the starting point of your selection near the left end of the image. Click the starting point of the selection, and then release Alt or Option.

The mussel is now entirely selected. Leave the mussel selected for the next exercise. Note To make sure that the selection is the shape you want when you use the Lasso tool, end the selection by dragging across the starting point of the selection. If you start and stop the selection at different points, Photoshop draws a straight line between the start and end points of the selection. Before you begin, make sure that the mussel is still selected. The mussel and selection marquee are enclosed in a bounding box.

Move the pointer outside the bounding box so that it becomes a curved, doubleheaded arrow. Drag to rotate the mussel to a degree angle. You can verify the angle in the Rotate box in the options bar. Press Enter or Return to commit the transformation.

If necessary, select the Move tool and drag to reposition the mussel, leaving a shadow to match the others.

Selecting with the Magnetic Lasso tool You can use the Magnetic Lasso tool to make freehand selections of areas with highcontrast edges. When you draw with the Magnetic Lasso tool, the selection border automatically snaps to the edge between areas of contrast.

You can also control the selection path by occasionally clicking the mouse to place anchor points in the selection border. Select the Magnetic Lasso tool , hidden under the Lasso tool. Click once along the left edge of the nautilus, and then move the Magnetic Lasso tool along the edge to trace its outline.

Tip In low-contrast areas, you may want to click to place your own fastening points. You can add as many as you need. To remove the most recent fastening point, press Delete, and then move the mouse back to the remaining fastening point and continue selecting. When you reach the left side of the nautilus again, double-click to return the Magnetic Lasso tool to the starting point, closing the selection. Or you can move the Magnetic Lasso tool over the starting point and click once.

Double-click the Hand tool to fit the image in the image window. Make sure that you can see the entire screw head in your image window. Select the Elliptical Marquee tool in the Tools panel. Move the pointer to the approximate center of the screw. Click and begin dragging. Then, without releasing the mouse button, press Alt Windows or Option Mac OS as you continue dragging the selection to the outer edge of the screw. The selection is centered over its starting point.

When you have the entire screw head selected, release the mouse button first, and then release Alt or Option and the Shift key if you used it. Tip To select a perfect circle, press Shift as you drag. Hold down Shift while dragging the Rectangular Marquee tool to select a perfect square. If necessary, reposition the selection border using one of the methods you learned earlier.

If you accidentally released the Alt or Option key before you released the. Before you begin, make sure that the screw is still selected. Select the Move tool in the Tools panel. Position the pointer within the screw selection. The pointer becomes an arrow with a pair of scissors , indicating that dragging the selection will cut it from its current location and move it to the new location. Drag the screw onto the lower right corner of the shadowbox. A bounding box appears around the selection.

Then press Enter or Return to commit the change and remove the transformation bounding box. As you resize the object, the selection marquee resizes, too. Use the Move tool to reposition the screw after resizing it, so that it is centered in the corner of the shadowbox frame.

Moving and duplicating a selection simultaneously You can move and duplicate a selection at the same time. If the screw is no longer selected, reselect it now, using the techniques you learned earlier. The pointer changes, displaying the usual black arrow and an additional white arrow, which indicates that a duplicate will be made when you move the selection.

Continue holding down the Alt or Option key as you drag a duplicate of the screw straight up to the top right corner of the frame. Pressing the Shift key as you move a selection constrains the movement horizontally or vertically in degree increments. Repeat step 3 to drag a fourth screw to the lower left corner of the frame. Copying selections You can use the Move tool to copy selections as you drag them within or between images, or you can copy and move selections using the Copy, Copy Merged, Paste, and Paste Into commands.

Dragging with the Move tool saves memory, because the clipboard is not used as it is with the commands. The source selection is pasted onto a new layer, and the destination selection border is converted into a layer mask. Keep in mind that when a selection is pasted between images with different resolutions, the pasted data retains its pixel dimensions.

This can make the pasted portion appear out of proportion to the new image. Use the Image Size command to make the source and destination images the same resolution before copying and pasting. Select the Crop tool , or press C to switch from the current tool to the Crop tool. Photoshop displays a crop boundary around the entire image. In the options bar, make sure Ratio is selected in the Preset pop-up menu and that there are no ratio values specified.

Then confirm that Delete Cropped Pixels is selected. When Ratio is selected but no ratio values are specified, you can crop the image with any proportions. Drag the crop handles so that the shadowbox is in the highlighted area, omitting the backgrounds from the original objects at the bottom of the image.

Tip To crop an image with its original proportions intact, choose Original Ratio from the Preset pop-up menu in the options bar. The shadowbox is complete! How do you add to and subtract from a selection?

What does the Quick Selection tool do? How does the Magic Wand tool determine which areas of an image to select? What is tolerance, and how does it affect a selection? Only the area within an active selection can be edited. To add to a selection, click the Add To Selection button in the options bar, and then click the area you want to add. To subtract from a selection, click the Subtract From Selection button in the options bar, and then click the area you want to subtract.

You can also add to a selection by pressing Shift as you drag or click; to subtract, press Alt Windows or Option Mac OS as you drag or click.

The Quick Selection tool expands outward from where you click to automatically find and follow defined edges in the image. The Magic Wand tool selects adjacent pixels based on their similarity in color. The Tolerance value determines how many color tones the Magic Wand tool will select. The higher the tolerance setting, the more tones are selected. This lesson will take less than an hour to complete.

In Photoshop, you can isolate different parts of an image on layers. Each layer can then be edited as discrete artwork, giving you tremendous flexibility as you compose and revise an image. About layers Every Photoshop file contains one or more layers. New files are generally created with a background layer, which contains a color or an image that shows through the transparent areas of subsequent layers. All new layers in an image are transparent until you add text or artwork pixel values.

Working with layers is analogous to placing portions of a drawing on clear sheets of film, such as those viewed with an overhead projector: Individual sheets may be edited, repositioned, and deleted without affecting the other sheets. When the sheets are stacked, the entire composition is visible. When prompted, click Yes to delete the Adobe Photoshop Settings file. Then double-click the Lesson04 folder in the Content panel to see its contents.

Thanks to people like you? Who share their knowledge, you can discover the extent of our being selected to easily learn without spending a fortune! Adobe Photoshop CC But also many other tutorials are accessible just as easily!

Computer PDF is also courses for training in adobe photoshop, illustrator, gimp, Image editing and drawing, 3D computer graphics and many others IT. You should come see our Graphics documents. You will find your happiness without trouble! The latest news and especially the best tutorials on your favorite topics, that is why Computer PDF is number 1 for courses and tutorials for download in pdf files – Adobe Photoshop CC You do not have to register for expensive classes and travel from one part of town to another to take classes.

All you need to do is download the course and open the PDF file. This specific program is classified in the Graphics category where you can find some other similar courses. Thanks to people like you?

Who share their knowledge, you can discover the extent of our being selected to easily learn without spending a fortune! Adobe Photoshop CC But also many other tutorials are accessible just as easily! Computer PDF is also courses for training in adobe photoshop, illustrator, gimp, Image editing and drawing, 3D computer graphics and many others IT.

 
https://funescopol.org/diif
http://janusc.com.au/kx9
http://clasesdeboxeobogota.com/ml9
http://institutoim.com.br/1oi
http://racesnearme.com/do1
https://haileypryor.com/8bb4
http://the-old-brewery.co.uk/ci5
http://localauthorityjobs.com/psc
https://adrianlazcano.com/ngiv
http://djmiketech.com/oee
https://stanford.org/cux
https://parameter.co.id/d6tp
https://kays-net.com/grv
http://igloohub.com/dw9